draft script

EXT. WALL OUTSIDE MOUNT GARDENS

DAY 1: April is sitting on the wall fiddling with camera. Dylan and Sally arrive. Dylan steals camera off April and Sally looks nervous.

DYLAN
(to April)
Do you want to get mugged?

Turns and tilts camera, April and Sally start walking up the lane

SALLY
Guys I’m sorry this lane still creeps me out

DYLAN
That murder happened in like 1999 Sally, relax

APRIL
It’s perfect. It’s also good to choose a location not on the list that the film course people gave us.

The girls reach the signposts. April and Dylan start walking up the narrower lane. Sally frowns sarcastically
DYLAN
Relaaaax Sal. Just another family live there now. It’s all good.

DAY 2: EXT. THE BACK LANE

April is sitting down fiddling with the camera. Dylan is lying down with her head in April’s lap. Sally is looking over April’s shoulder.

DYLAN
Right, April, direct us. Tell us what you want us to do.

APRIL
Well, first of all this is all I’ve got. My dad wouldn’t pay for more equipment for me to use. So the acting has got to be good.

April looks at the two girls and they look slightly pathetic. They all burst out laughing. Music starts

SALLY
Hey, you wanted a horror type thing. Why don’t we go poke our heads over the top of the gate of that creepy, deserted house? Check it out. Cop the vibe.

DYLAN (at the same time as April)
Very good idea.

APRIL (at the same time as Dylan)
Yes!

SALLY
Was obviously joking.

APRIL
I want the film to be based on the true story of the murder that happened in that house. So I was thinking you guys could be the kids that used to play in this lane.

DAY 2: EXT. GIRLS STANDING IN A CIRCLE IN THE MIDDLE OF THE BACK LANE
Music carries on, and the girls can be heard playing odds on

APRIL
Three, two, one

SALLY AND DYLAN
FOUR!
Music stops. Girls look awkwardly at Sally. She looks terrified. Music starts again, Sally is getting pulled by Dylan, they can be seen looking over gate (not much given away of what the courtyard looks like). A short interlude – short shots of the girls messing around and experimenting with the camera.

APRIL
Same clothes for day 3 then? We need to make sure that it looks like this is all one afternoon

SALLY
Of course Ape. (looks at Dylan rummaging in her bag) Wait Dyl do you have the script and stuff?


APRIL
I put them in her bag after we looked at it this morning

DAY 3: EXT. THE NARROW LANE

Dylan is rummaging in her bag, as the girls walk up the lane

DYLAN
Everything’s pretty much missing

APRIL
Shut up

DYLAN
You said you put them in my bag, April. Like I’m sorry to break it to you but they’re not there.

SALLY
Dyl, give me your bag. You’re probably just not looking hard enough.

The girls reach the top, turn left and discover that the gate is open

SALLY
Guys, that is so weird

APRIL
Sal…

SALLY
No, April admit that’s weird as shit!

DYLAN
Mate, you are hands down going to win this competition. Marks for setting will be plummeting through the roof!

SALLY
April!

APRIL
Alright, alright… It’s a little bit creepy. Dyl

DYLAN
Yes boss


APRIL
Nah, nah it’s fine

Dylan shoots April a smile. Fades to black. Fades back into different camera setting for e.g. more saturated (the POV of April’s camera) (the rest of the film is filmed in this setting)

APRIL
Sal, can you move the bag for me? Don’t worry about getting in the shot, I just want to shoot some stuff then I’ll cut them later.

Sally walks into view of the shot, moves the bag, then smiles and waves at the camera. April does the same.

SALLY
Dylaannn you’re stupidddd!

APRIL
Shhh. She’s brave. Alright, Dyl whenever you’re ready!

Dylan walks out from the driveway, looking scared, and runs through the gate at the end of the lane and turns right into the courtyard. There is a 5 second pause.

APRIL
Cut!

Dylan walks out and poses triumphantly

DAY 4: EXT BACK LANE, DIFFERENT CAMERA SETTING ALREADY SET UP

Sally walks out of a different driveway meekly

DYLAN
Oh my, Sal, it’s really not that bad. The courtyard is modern. No spider webs or bloody knifes.

SALLY
Oh look at you all big now you’ve met eyes with the town’s haunted house

APRIL
If you’re going to be sarcastic about it you can do it. Please, Sally. I need it for my film.

SALLY
Fine, fine. She returns to her position in the driveway

APRIL
Whenever you’re ready
Sally walks out of the driveway, through the gate and turns right into the courtyard. She pauses 5 seconds, then we hear her scream. Another three second pause.

APRIL
Okay come out that’s good!

Sally doesn’t come out, 5 second pause

DYLAN
Sally?

APRIL
What the hell?

She starts walking towards the courtyard, then breaks into a jog. Dylan follows her, but then turns around and runs back for the camera. From the camera and Dylan’s POV, we see the courtyard getting closer, then we see the courtyard, then the house as Dylan walks through it shouting Sally and April’s names, as they are nowhere to be seen or heard. Something makes Dylan gasp in a panic and she drops the camera. The credits roll in, as we see through the abandoned camera’s point of view.













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